Once Upon a Time at the
"Theatre of Memory"
Back in the old days, the High Springs Opera
House played host to countless itinerant vaudeville
performers. They carted their trunks up the
street from the rail depot, unpacked, then hopped the
train again as soon as the curtain fell. Back
then you could watch a silent movie in this place, or
maybe quiver in your seat as Billy Sunday
delivered one of his fire-and-brimstone sermons.
Fast forward a few generations. Downstairs
they now serve things like cappuccino, tofu, and
hot artichoke dip in the Great Outdoors Cafe. The
Trading Post proffers upscale outdoor
equipment and tastefully rugged Royal Robbins shirts at the
price of $66.
But upstairs in the old Opera House things
haven't changed so much. You'll still find
itinerant musicians here on the weekends, performing anything
from blues to renaissance music with
period instruments.
Even before the music begins, the odd
collection of artifacts and memorabilia that fills the
room creates a unique atmosphere. "If you can set
the stage properly, people will get it before the
actor even walks out," says 50-year-old musician
and museum curator Bill Hutchinson.
The "Theatre of Memory" combines Hutchinson's
love of music with his passion for
history. His eclectic museum begins back in the 14th century --
represented by porcelain dishes from the
Ming Dynasty and a collection of illuminated manuscripts -- and
concludes with the first Macintosh
computer.
Alongside WWI trench art and a substantial
cache of seashells, he has collected two
decades of hair-net envelopes.
"Why should that be exciting? I don't know, but some people go
right to it," he explains. Another favorite is
his braille edition of Playboy magazine.
If the museum lacks an overt theme that's
because what matters is something far more
personal. That 14th-century parchment, for instance, is not
something he keeps under glass. He takes
it out and offers it to a visitor: "Here," he says, "Feel the
texture of it."
Hutchinson's passion for life sprang from his
confrontation with death in Vietnam. "I
enlisted to be in the band, and they played this trick on me and
put me in the infantry," he says. "It was
not only worse than I imagined, it was worse than I was capable
of imagining."
"When people are shooting at you, your
philosophy goes out the window and you shoot
back. That's what I did." Somewhere along the way
he contracted malaria. Finally, he linked up
with Special Services where he managed USO shows
and got to play Beatles and Jimi Hendrix
tunes for his fellow soldiers.
He came home deeply shaken. "I found out that
there was more to life than met the eye. I
wanted to figure out just what this universe is about."
When
he's not working his day job as the
entertainment producer for Gainesville's department of cultural
affairs, the Theatre of Memory allows him
to explore that artistic vision.
His own band (which has no name) performs an
eclectic set of folk, blues and acoustic
rock at least once a month. "If you use money as a yardstick,
this has been a disappointment," he says.
"But if you look at art and expression,
it's been wildly successful. If it pays for itself -- and if we
get gas money too -- it's a good thing."
Manic humor pervades his stage presence, but
Hutchinson is philosophical at heart. "It
may sound polyanish to say it, but I want to contribute to
society," he says. "I'm no longer trying
to kill people. Now I'm trying to entertain them, and that's
more my natural proclivity." |